I was in San Francisco last week for business and coincidentally so was Groucho Marx.
Okay, okay. Groucho's dead and gone 32 years now, but the next best thing to seeing him live and in his prime is Frank Ferrante's An Evening With Groucho live show. I first saw him do it down San Diego way (Escondido to be precise) in 2005. You can read about that show here. But you can see Frank as Groucho each of the 2,000 times he's performed the show and I'd be willing to bet you'd never see the same show twice.
Part scripted biographical sketch, part Groucho songfest, part--the BEST part--total adlib audience participation orgy of laughter, AEWG is quite simply one of the most amazing things I've ever seen in a theater. I've read a lot about Groucho and his brothers and the one thing missing from any of their filmed performances is that elusive butterfly of spur of the moment FUN: the Marxes were famous for going off-script in all their live shows, from Vaudeville to Broadway to television, and on any given night you'd see something hilarious for the very first time. You Bet Your Life tried to capture that on TV, allowing contestants to interact in such a way as they played straight man--and woman--to the one, the only Groucho, but let's face it, it was TV in the '50s. The funniest parts couldn't be shown.
I think Ferrante perfectly captures what it must have been like to sit in a 1920s Broadway theater and watch Groucho and company go about their daily business. The Jewish Community Center theater in San Francisco is a fairly small place, and Frank was just one short hop from the first row, a hop he took many times. He immediately honed in on a number of front row dwellers, including a woman named Betty, and an older man with a bald head and an impressive white beard. He promptly made him stand up and pointed to himself and the other guy and said, "Groucho Marx and Karl Marx."
I'd do Frank a horrible disservice trying to capture in words what he does on stage. He was having so much fun tweaking the audience on Saturday night that I don't think he finished a few of the scripted bits of the show, including the story of Chico working for a paper company. But none of that matters, really. I'd pay good money to see Ferrante just come out and throw away the script and do 90 minutes of business with just the audience. (I'd miss the songs, though, and Frank's own distaff version of Margaret Dumont, pianist Jim Furmston, who is great, also.)
For those of you in the Southern California area, Frank/Groucho is appearing this Sunday, March 8, at the La Mirada Theater. Frank is touring as Groucho through the end of May. Upcoming performances include Ridgecrest, CA; Joliet, IL; Bothell, WA; and Johnstown, PA. Click here for the entire schedule, and if you go, hang out after and say hi to Frank and Jim and buy their DVD and CD...and most importantly, tell them Innocent Bystander (Gary) sent you. After he slaps your face and calls you an upstart, he'll settle down. Trust me.
It was a dark and stormy night...this much I remember. The rest is a little bit fuzzy...
Periodically in 2008, we will be calling on our friend and mentor, Professor Quincy Adams Wagstaff, to comment on the Presidential election. Today he discusses the Iowa Caucus, the first major barometer of the Presidential climate of the country.
The art book publisher, Taschen, has released a new Marx Brothers book, titled (get ready!) Movie Icons: Marx Bros. (how's that for truth in advertising?). This elegant little paperback (almost 200 pages!) features numerous Marxian photos and art, some that I haven't seen before. Best of all it's only ten bucks, which would be 100,000 Rufles in Freedonian currency.
It has been way too long since we've checked in with our friend and mentor, Professor Quincy Adams Wagstaff. As you may or may not know, we rely on the Professor to sometimes stop by and help us better understand this wide, wonderful world we live in. Today, in honor of the Thanksgiving holiday, we've invited him to speak on the history of this warm, friendly, family event. Professor?
Never underestimate the power of the impulse buy. There I was yesterday in Warwick's in beautiful La Jolla, buying a couple of books--one for me, the other as a gift for a friend--when I saw it. A lovely little book laying on the cash register counter.
Thirty years ago this week, I could have cared less about the death of Elvis Presley on his bathroom floor. I was watching my own personal American Idol, Groucho Marx, finally succumb to a death that was a long time coming. Groucho, health permitting, was still being pushed onto the stage and television screen almost up to the time of his death by his "companion," Erin Fleming. It wasn't a pretty sight (
Screw the drunken crowds on New Years Eve...stay home where it's warm and safe and watch the Marx Brothers Marathon on TCM! It starts at 8:15pm (5:15 for us Left Coasters) with Duck Soup, followed by Horse Feathers, Monkey Business, A Night At The Opera, A Day At The Races, A Night In Casablanca and At The Circus. Yes, I own all these movies on DVD and they're on the shelf right over there and I can watch them anytime I want. But a Marx Bros. Marathon on TV is a holiday tradition near and dear to my cynical, hard, little heart. It carries me back to 1968 or so, when I first discovered them, with Duck Soup and A Night At The Opera on one of the New York City TV stations (I think it was WNEW, at the time). So raise your glass to Auld Lang Syne with Groucho, Harpo, Chico and sometimes Zeppo (at least 50% of the time tonight). Since those three strange words translate, roughly, to "days of long ago," can you think of a more perfect way to spend the evening?
It's time for another rare visit from our friend, esteemed colleague, raconteur and expert on everything, Professor Quincy Adams Wagstaff. Today, dear reader, Professor Wagstaff shall discuss the summer blockbuster movies.