My on-screen TV program guide reduces the new BBC America show, The Hour, to a three-word synopsis: "Current affairs show." That makes it sound like something that used to show up on Sunday morning local TV, when the FCC required--and maybe still does--so many hours of local programming per week. (These days, that requirement--if still standing--is probably filled with endless hours of repetitious newscasts, narrated by repetitious anchors. I swear to God they clone them.)
But The Hour isn't that at all. It's a new drama--part of BBC America's ridiculously titled "Dramaville" (they're big on these programming titles: "Supernatural Saturday," "Ministry of Laughs"), that takes place in 1956 Britain, at--of all places--the BBC itself. Part journalism story, part Cold War thriller, part romance, the show will have inevitable comparisons to this side of the pond's Mad Men. Everyone smokes, women are trying to change their lot in life in the men's world of careers, the devilishly handsome Dominic West reminds one of Jon Hamm, and everyone smokes. Oh, I mentioned that? Well, it's worth mentioning twice.
Freddie Lyon (Ben Whishaw) plays the genius TV guy who envisions a whole new kind of news show for the Beeb, one that ditches the newsreel format for edgier, live news. His partner in crime--and love interest, if one-sided (at the moment)--Bel Rowley (Romola Garai, very reminiscent of Kate Winslett) has impressed her BBC bosses enough to garner the producer job at the new show, but Freddie is viewed as too much of a loose cannon, plus he wants to "present," meaning be on the air. That slot is already filled by Hector Madden (Dominic West), who already has his eyes on the shapely Miss Rowley (they called them "Miss" back then, folks), even though he's married, and his father-in-law may have had a hand in his newest job placement. And into all of this hub-bub of the start-up of a new show comes a murder mystery, one which involves the reluctant Freddie, urged on by an old friend to investigate a murder MI6 is putting the hush-hush to, and one which may have its roots in the Cold War, during a time when it when it was at its chilliest, the late 1950s. (It's very cool to see Torchwood's Burn Gorman playing a mystery man who may or may not be a British spy.)
The Hour is stylish, fascinating and evocative. Yeah, it has its roots in Mad Men, that comparison has to be acknowledged. No new show that takes place in the middle of the 20th century, including the upcoming The Playboy Club on NBC and Pan Am on ABC (excuse me...it's more correctly known as the breathless network announcer calls it: "ABC's Pan Am on ABC"...what network was that again, please?) can escape that, no matter what people like director Thomas Schlamme say of the latter. No network executive ever said "Get me a show set in the '60s!" before Mad Men became such Emmy-bait. Whatever its point of origin, The Hour is throughly enjoyable, and its upcoming stablemates in "Dramaville"--Luther (starring Idris Elba as a damaged detective), Whitechapel (about a series of Jack the Ripper-like murders in modern day London), and the excellent State of Play (the original BBC mini-series mixing journalism, murder, and politics and the basis for the so-so American movie starring Russell Crowe)--all look like winners, too. "Dramaville" promises to be "the home for groundbreaking British drama," and so far, with this one show, it's living up to its boast.